In time for National Heritage Month and International Museum Day this Month, Ramon Aboitiz Foundation Inc. (RAFI) once again hold Gabii sa Kabilin (Night of Heritage) on May 27, 2011. This would be the 5th Gabii sa Kabilin which started in 2007.
Below are useful information regarding the event, from Gabii sa Kabilin Route Map, Tartanilya Routes, Bus Routes, Gabii sa Kabilin 2011 Participating Museums, Gabii sa Kabilin 2011 Participating Heritage Sites and Attractions & Activities by Participating Museums & Heritage Sites.
For only P150 ticket, a visitor can already enter all the participating museums and heritage sites and avail of bus and tartanilla (horse-drawn carriage) rides. You can choose where to start first. CESDEV Nursing volunteers, friends, and museum enthusiasts will be joining the activity tonight.
Gabii sa Kabilin (Night of Heritage) is the only one of its kind in the Philippines and in Asia, aims to reinforce the belief that local museums are venues for the understanding and appreciation of Cebuano history and culture. But beyond that it also discounts the stereotype of museums as mere repositories of “dead objects”; rather, as venues for live cultural activities.
Below are useful information regarding the event, from Gabii sa Kabilin Route Map, Tartanilya Routes, Bus Routes, Gabii sa Kabilin 2011 Participating Museums, Gabii sa Kabilin 2011 Participating Heritage Sites and Attractions & Activities by Participating Museums & Heritage Sites.
For only P150 ticket, a visitor can already enter all the participating museums and heritage sites and avail of bus and tartanilla (horse-drawn carriage) rides. You can choose where to start first. CESDEV Nursing volunteers, friends, and museum enthusiasts will be joining the activity tonight.
Gabii sa Kabilin (Night of Heritage) is the only one of its kind in the Philippines and in Asia, aims to reinforce the belief that local museums are venues for the understanding and appreciation of Cebuano history and culture. But beyond that it also discounts the stereotype of museums as mere repositories of “dead objects”; rather, as venues for live cultural activities.
